ZZ Ward is absolutely soaring. In March I watched her play to a small but excited group of mostly industry folks at SXSW, then a couple months ago got to shoot her sold out show at the Gothic. Last night she was already back for another sold out show at the Ogden, and her charisma is so strong she could easily handle Red Rocks. Talent and chops galore, she kills the blues on guitar, harmonica and keys, and we haven’t even gotten to her vocals. One thing I have noticed with her very dedicated fanbase is that she has managed to grab a lot of the people that are into R&B, and with chops close to Christina Aguilera’s, she doesn’t dissapoint them either. Last night included a special guest appearance by DW, her blues musician father that got her into this whole mess. The show exceeded the recent Gothic show, and really showed that the sky is the limit for ZZ.
And that’s a wrap, folks! My review of the final night of Phish at Dick’s is now live, and I never thought my first big published piece would be reviewing Dick’s for the freaking amazingly awesome Westword! What a blast. Section 119 you rule:
Last night’s review is now up at the Westword. We sold that place out, well done, everyone!
I was honored to be asked to review this weekend’s Phish shows at Dick’s by the fantastic Denver paper the Westword. The review went live, read it here: Westword review of Phish at Dick’s
Finally got to see Said the Whale last night, and they surpassed my pretty high expectations. The success of their single “I Love You” brought quite a few teenagers and every pretty young lawyer that lived in the area. While their latest album has a very polished sound, their live show is much more raw, intricate and careful sounds coming from everyone, often leading up to moments of distortion and reverb that I didn’t expect from them. I don’t get a chance to shoot females often, but when I do, I shoot their shoes. They are currently on tour with Kopecky Family Band, go see them if you like sweet pop rock that gets a little chaotic.
It rained every night of the Phish three night run in Chicago, and I found out I love Phish in the rain. Walking to the venue the first night was exciting, the park and museums along the water are a great way to enter a show. No Shakedown, but I rarely go anyway so it wasn’t an issue, and was running into most of my favorite people from Denver everywhere I look (way to represent, Colorado, between the guys in The Clinic shirts and the CO flag hats, I sometimes forgot I wasn’t at home). First thing I noticed when entering the gates was that this was going to be a free for all, the people that worked there didn’t do a pat down, barely looked in my bag, and barely even acknowledged me, really. Woohoo! Time for fun.
First night, they come back from setbreak, open with “Down With Disease”, and as Trey starts up “Prince Caspian” next, the crowd notices Page get up and walk over to Trey. Guys around me thought Page was mad at Trey for cutting that DWD jam, nope, the venue is making us evacuate because of a storm coming. While disappointed, it wasn’t the end of the world, I had just flown in before the show, at least got to hear Phish for the first time in almost a year, and we still had two more days. Pearl Jam down at Wrigley Field was delayed as well, but they ended up coming back on and some tour pros were able to catch both concerts. Impressive.
Saturday afternoon my phone starts going off like crazy, a friend who knows people was texting us to get to the show early, we are getting three sets to make up for the lost one from the night before. All of a sudden the lawn tickets people couldn’t give away the night before are rare and going for $100. Glassy eyed guys walking Michigan Avenue light up when I tell them the news, Phish officially announces on Twitter and Facebook, and suddenly we have a mega show.
They started the night by finishing “Prince Caspian”, then proceeded to play what I only assume was the planned set 2 of the night before. Coming out full cylinder, Trey just destroys each song with energy and force, to the point that after “Ocelot” people were cheering their fool heads off like I’ve never heard for what normally is a bathroom break song for many. As “My Friend, My Friend” starts up, a thick cloud of low lying fog engulfs the Chicago skyline, and people on the Pageside stands were dancing at the city, conducting the storm. Rain starts up again, but they don’t kick us out this time, as tremendous peaks after seering guitar solos come from the stage, never taking a breather. The Weekapaug gets so down and dirty, “Waves” is perfect song for setting, and “Piper” has takeoff. After three sets of madness, I had never felt so alive and exhausted at the same time. Paid a jitney guy $40 to bike us the 1/4 mile to the hotel and it was the best forty bucks ever spent.
Night three started with the concession stands taking the caps from drinks like they usually do, but this time they then covered it with tinfoil. I have never seen a venue do this and if someone knows why I would love to hear it:
Earlier in the day, some guy told me they were going to play Gamehendge tonight, that it was planned and he knows someone. Some guy always says this, but we did discuss the possibility of them dropping Harpua because of the storms and how they still had almost all GH songs left on the table still. (I thought of this guy instantly later that night and wondered who he knew). Once again, a storm rolls in during the show, but this time I was completely prepared, and they weren’t kicking us out. When they went into “Boogie On Reggae Woman”, something flipped a switch in everyone. The crowd was dancing like their life depended on it, punching fists into the sky as huge raindrops slammed into us sideways, Chris Kuroda’s lights lighting up the whole spectacle like an aerial shot from World War Z. Just awesome.
Finally they had to have a rain delay, I hid behind the stands for awhile, then went dead center where wonderful new friends from tour last year were. Go time, just like the night before they are playing with tons of energy, straightforward ripping rock and roll. I’ve noticed throughout the night that they’ve played “AC/DC Bag” and “Wilson”, and when they start “Lizards” (which was such a crowd sing-a-long, but not in the cheesy way, it felt like we were all unified after dealing with the weather together, like a bunch of lizards), I knew that guy did in fact hear something. Suddenly “ooom pah pah, ooom pah pah” comes out of their mouths and the crowd just flips. The storm’s gone. Harpua.
Trey points to a guy with a sign that says “Poster Nutbag- the RIGHT way!!”, discussing how apparently they’ve been playing it the wrong way. They pull the guy up on stage and the guy to my left starts saying “Holy shit! Chris! I work with that guy!” and I’m thinking “how cool! Your friend is lucky!” then “No!! He’s not from Philly! He’s an actor at Second City!” And that’s how I knew it was a bit before the actors barely opened their mouths, funny coincidence. The crowd was a little confused, they knew something was going on when they started rapping up there, and I fell in love with this band even harder. Many people hated on this but I think a bunch of the best improv players in the country are a great guest artist for Phish to have on stage, the members of Phish are total cornballs, why NOT have some improv during the narration. Anyone who was irritated immediately was back to flipping out once Mike Gordon started telling the story anyway. “Mike speaks!”
All in all, an unpredictable, energetic, exhausting weekend that ended up being even more fun than I expected due to the weather. Phish give me a sense of freedom that nothing else can, and I’m ready for more next week in California. Added bonus, the Chicago Tribune got a pic of my friend dancing on the top of the stands and I’m just below him in my Jaws tank top (which caused a zillion guys to call me Sharknado when I walked around):
Oh, and Page gets the VIP award for doing this sweet keys 360: Page’s sick 360 move
This Friday, June 7th, the fantastic March Fourth Marching Band will be bringing their circus to the Bluebird. I got the opportunity last year to shoot their Halloween show at the Gothic, and I never knew where to point the camera first. They have really been making the rounds and touring a lot lately, don’t miss this show! I honestly don’t know who wouldn’t enjoy them live.
Last night I saw the perfect mix of artist and venue, Edward Sharpe and the Magnetic Zeroes at Red Rocks. I had only seen them live once before, at Belly Up in Aspen, and had positive hopes that it would be a good show. Totally underestimated them, it was one of the best shows I’ve seen there, the theatrical spirituality of the band just worked so well in the amphitheater. Opener Alabama Shakes were solid as always, they had the audience much more than when I saw them open for Neil Young and Crazyhorse. It was packed even in the reserved seats, and some of the audience thinned out after their set. Meanwhile, the whole sky was pink and the weather was the most perfect I’ve ever seen up there. Colorado, you’re beautiful!
As soon as they started setting up the massive set for Edward Sharpe and the Magnetic Zeroes, you knew it was going to be stepped up a notch. Wow! I have never heard vocal microphones sound more crystal clear, you could hear his every murmur. Starting the night off with 40 Day Dream, the audience knew every word and clapped almost too enthusiastically. This one guy in front of us was slapping his hands together on his leg like Spoon Man, and lo and behold it was Kevin Connolly from Entourage. Then I realized the guy who looked like Josh Lucas WAS Josh Lucas, we were sitting in the middle of the cast and crew for the Leonardo DiCaprio produced movie Dear Eleanor that is filming right now in Colorado. Funny. I thought Liana was a rich teenage model at the beginning of the show, Hollywood starlet isn’t too far off, she’s beautiful and had some awesome gold metal toed brown booties on. *update! She told me the boots, I love these babies.
Edward and his crew played two never been heard songs with him quipping “well, you gotta start somewhere”, and asked the audience if they had heard this rumor that everyone dies, but then ended the night asking if we’d heard the one that said you could live forever. I eat this stuff up. So does everyone else apparently, when they finished the set with “Home” the whole place became a celebratory hands in the air, clapping hootenanny. They encored with “Lean on Me”, asking the Shakes to join them then “well, we don’t know where they are” as people put their arms on each other’s shoulders. It was like Girl Scout Camp but BETTER.
Last night ZZ Ward played her heart out to a sold out audience in Denver, and everyone left wanting to be her. What a cool, talented chick. She can belt the blues, rage a soulful blues guitar, rock the keys and play a wild harmonica. We needed an exciting blues musician like this. The audience was packed into the Gothic over an hour before she even hit the stage, volume buzzing ever higher as the great Ft. Collins opener, You, Me and Apollo finished.
She started the show with her hit single “Put the Gun Down”, and the audience of mostly females freaked out. Above you can see ZZ’s interpretive dance for the lyric “I’ve got ten fingers to the sky”.
I love when artists have a huge backdrop of their name, and I thought ZZ’s looked great.
I’d say ZZ Ward is one to watch, but I think everyone’s already watching! I can’t wait to see what happens in her future, a collaboration with Gary Clark Jr. would be amazing….
….and of course, there were a ton of hats in attendance. Don’t miss ZZ Ward when she hits your town, but go early for a good seat, she’s in the big time.
Music in Denver 5/16-5/20
Thursday, May 16th
Primus – City Auditorium, CO Springs – the 3D Tour, this time in a really pretty hall
Friday, May 17th
Black Moth Super Rainbow – Bluebird- experimental band out of Pittsburgh, dark undertones in a trippy pretty sound: BMSR video with rainbow colors
Brown Bird – Larimer Lounge – caught them opening for Yonder Mountain String Band, these two make a big sound that centers around the stand up bass, rollicking Johnny Cash covers sometimes
Junior Brown – Soiled Dove Underground – country guitarist who plays a “guit-steel”, he’s the man, if you feel like hearing amazing guitar work, this is your guy: Full ACL show, not much has changed
Saturday, May 18
Kate Nash – Bluebird – Lily Allen is a big supporter, she’s got that throwback British pop thing going on, this video has over 6 million views so I guess it’s safe to say she’s popular. For some reason, I hear Aaron Neville loud and clear in her songs: her super popular song
Hindershot – Hi Dive – I love this local band. Strong supportive fan base, too, I’ve watched a show clear out when they are done and playing first: Video for I Won’t Change
Limp Bizkit – Fillmore – I have a photopass for this.
Everyone Orchestra – Oriental – constantly rotating band of members, seen them twice and they were great, but different, so just go! Who knows what surprises are in store! (Steve Kimock)
Monday, May 20
Telekinesis – Hi Dive – indie rocker Michael Benjamin Lerner, self titled album was produced by Death Cab for Cutie‘s guitarist. Really good stuff, full KEXP performance HERE
Turbonegro – Ogden – legendary Norway death punk band, everyone should see at least one show of theirs, to me this is perfect punk: newest video
Black Rebel Motorcycle Club – Gothic – garage rock-bluesy band from San Francisco, great live show, music is easy on the ears, strong Monday in Denver! BRMC video
Vampire Weekend -Red Rocks – these guys made the list because the new album is really really great, and I say that as someone who found them annoying before. Seriously check out the new record. Opener Of Monsters and Men was the band I thought would be huge until The Lumineers jumped ahead, and it says Haim is first opener, GREAT band, but I just got an email that they canceled.