The Dylan Miles Experience steals the show at the Highlands Street Fair

When The Dylan Miles Experience took the stage on Saturday at the Highlands Street Fair, around twenty people stopped, curious to see what this thirteen-year-old was like on the guitar. By the time he played Pink Floyd‘s “Have A Cigar,” that number had grown to well over a hundred. Kicking off the set with Phish‘s “Free,” Dylan showed a maturity in song selection and musical knowledge that you don’t usually see in a young teen. A guitar prodigy from the Denver School of the Arts, Dylan is no stranger to the stage- by the time he was three his musical talents were already shining through, and he has sat in with national touring acts like North Mississippi Allstars. On Saturday, Dylan played in his trio with Niek Velvis on bass and Alana Dym on drums.

Dylan Miles Experience

The Dylan Miles Experience draws a big crowd at the Highlands Street Fair

Saturday’s set saw a primed Dylan Miles playing both classic songs like Talking Heads “Psycho Killer,” as well as a rocking original titled “Reality” that segued into the Grateful Dead‘s “Deep Elem Blues” then back into “Reality.” With a heavy rock sound, he showed that his writing prowess was just as strong as any cover that he performed. Sporting a hat representing local Mile High kosher bagel experts Rosenberg’s Bagels, Dylan showed his love for the local scene, and the scene responded back in kind.

Guitar prodigy Dylan Miles rocks the Highlands Street Fair

Guitar prodigy Dylan Miles rocks the Highlands Street Fair

Local celebrity and famed artist Scramble Campbell was on deck, painting the band while they played. With his signature bopping dance and swirling, psychedelic style- Scramble’s presence is a true sign and official stamp that “you’ve made it.”

Scramble Campbell paints The Dylan Miles Experience

Scramble Campbell paints The Dylan Miles Experience

The highlight of the show was at the end when the band closed out with a rousing “Ohio” by Crosby, Stills and Nash that then segued into Rage Against the Machine‘s protest song “Killing In The Name.” As a major Phish fan, Dylan knows the ins and outs of a good segue, and took the audience completely by surprise when he turned on a dime and segued back into “Ohio.” The cheers from the crowd could be heard throughout the annual neighborhood street festival and the people got DOWN.

The Dylan Miles Experience rocks the Highlands Street Fair in Denver

The Dylan Miles Experience rocks the Highlands Street Fair

It felt like the entire festival was at the music stage, and the crowd screamed “ONE MORE! ONE MORE!” at the end of the set, completely charmed by The Dylan Miles Experience. Go see the band on August 24th at the Arvada Center Arts & Ales Festival as they play a two-hour set!

Dylan Miles and his guitar pedals at the Highlands Street Fair

Dylan Miles and his guitar pedals at the Highlands Street Fair

Children can't take their eyes off The Dylan Miles Experience at the Highlands Street Fair

Children can’t take their eyes off The Dylan Miles Experience at the Highlands Street Fair

The Dylan Miles Experience steals the show at the Highlands Street Fair

The Dylan Miles Experience steals the show at the Highlands Street Fair

Dylan Miles plays lead guitar for The Dylan Miles Experience in Denver

Dylan Miles plays lead guitar for The Dylan Miles Experience

The Dylan Miles Experience dominates the stage at the Highlands Street Fair

The Dylan Miles Experience dominates the stage at the Highlands Street Fair

Scramble Campbell painting of The Dylan Miles Experience

Scramble Campbell painting of The Dylan Miles Experience

Setlist:

Phish – Free

Dire Straights – Sultans Of Swing

Dylan Miles – Reality > Grateful Dead – Deep Elem Blues > Reality

Talking Heads – Psycho Killer

The Dixie Cups – Iko Iko

Niek Velvis – Zhen Kill-ya Blues

Bob Marley – Soul Shakedown Party

Pink Floyd – Have a Cigar

Phish – Sand

Crosby, Stills & Nash – Ohio > Rage Against The Machine Killing In The Name > Ohio

 

Yes, some people do listen to less famous bands at SXSW. Here were my favorites

6th Street around 9pm. Madness already, I think this was Thursday night.

6th Street around 9pm. Madness already, I think this was Thursday night.

As every media outlet has been writing for years, SXSW is a big bloated corporate monster that had some standard organizational problems this year, but it didn’t stop me from seeing 50 bands, there are problems every year. Years of attending and deep, former drunk knowledge of 6th Street from my college days helped me out immensely (miss you, nasty ole’ Treasure Island), as I bobbed and weaved through crowds and skipped the big elaborate shows to see bands I’d never seen before. I flew in Monday night to catch the tail end of Interactive, but mostly because I love watching the change in people as you move from Tuesday into Wednesday; blazers, jeans and Google Glass quickly turn into black skinny jeans, black t-shirts, and black hotpants. The streets were packed, but once you got inside most venues it was really roomy thanks to fire marshal capacity levels, and the bands were always happy to chat. Out of all those bands, these were the ones that stood out the most to me, and I can’t wait to watch their future career trajectories.

Mozes and the Firstborn

Mozes and the Firstborn


Mozes and the Firstborn: My favorite parties of the festival were definitely the Netherlands showcases at Bar96. Polite people, loud authentic garage rock and a food trailer inside made me keep coming back to them. I’ve been listening to Mozes and the Firstborn’s latest album a lot lately and expected them to be good- they ended up blowing me away. Walking a fine line between control and chaos, this Dutch garage band had top notch showmanship, a big crunchy sound with catchy hooks, and most of all skills. I do my best to dance and make other people know it’s ok to move, sometimes it works out to awesome photos like the one above of him pointing at me. They were one of the first bands I saw, and made a lot of the garage rock bands I saw after them seem like a bunch of fakers.

Skaters

Skaters


SKATERS: As you can see, photos of shows at night turn out pretty bland and boring with the same official SXSW banner behind them, so I mainly just shot photos during day shows. When I walked into the SKATERS show and saw some mega-hot rocker babes, I knew they were going to be good, and probably good looking. Right on both counts, this New York punk group had some of the catchiest melodies like an East Coast Rancid, and their cool, confident energy was so addictive that a rowdy mosh pit was going through most of the set, much to the chagrin of the young ladies that pushed their way to the front row then quickly were spit out to the sides.

Temples at Radio Day Stage

Temples at Radio Day Stage


Temples: Temples were one of the bands I was most excited to see, and they didn’t disappoint. Calm and confident on stage, their sound is gorgeous and full live, and people were singing along to every word. In a week filled with throwback 60’s psych acts, they were the most polished and the sweetest. Very composed.

Anna Fox Rochinski from Quilt

Anna Fox Rochinski from Quilt


Quilt: Gorgeous psych-pop out of New England, I walked myself out to East Austin to attend the Austin Psych Fest showcase to see them since they aren’t hitting up Denver this tour. They really got much wilder live than I expected, and I couldn’t keep my eyes off the calmly beautiful Anna Fox Rochinski (loving the black/navy/brown combo). Unfortunately, their tour van was just totaled, so if anyone has an extra dollar to help a band finish their tour, it’s more than appreciated by the band and the fans:

http://quiltmusic.org/quiltmusic/HOME.html

Birth of Joy

Birth of Joy


Birth of Joy: Amsterdam’s Birth of Joy played a blistering set that caused me to text a friend I just saw “come back here now!!” When I wrote about their newest single I thought it sounded Doors-esque. Seeing them live did nothing to change that opinion, and that’s a great thing. Entertaining as hell, rowdy, psychedelic fun in nothing but music set without a moment to breathe. Less pomp than the Doors, more down to earth, straight up melt your face rock.

Bisco Inferno a.k.a one of the cooler photos I’ve taken

Disco Biscuits at the Ogden

Disco Biscuits at the Ogden

I mistakenly brought my 50mm instead of my wide angle lens, was kicking myself and realized that I really was only getting one shot out of the night, so it better be a good one. Luckily, I was in the best seat in the house in the balcony’s front row, so I got the pleasure of lasers both above and below me. The white spotlights came down just at the right moment, and the print will be available for purchase soon on my website (I’ll update this post). Great weekend, great music, great friends, thanks, Disco Biscuits.

Hangar-51

Hangar-55

Hangar-58

My Westword review of the Ogden show:
http://blogs.westword.com/backbeat/2014/01/review_the-disco-biscuits_ogden-theatre_denver_january-24-2014.php

My Westword review for the 1st Bank show:
http://blogs.westword.com/backbeat/2014/01/review_disco-biscuits_1stbank-center_january-25-2014.php

Black Joe Lewis at Bluebird – PHOTOS

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The Monday before Thanksgiving I got a chance to review and shoot Black Joe Lewis for the Westword. As a long time fan, I thought the new material sounded great live, and breathed fresh takes to old material as well. Read my review here, and scroll down for some more photos. It’s time for a better lens.

Westword review for Black Joe Lewis

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Muse and Cage the Elephant at Pepsi Center

Last night Muse stormed the house at Pepsi Center with a huge set production and far more sound and noise than I expected. These guys know how to be rock stars really well. The crowd was a total mix, and everyone was wearing brand new Muse t-shirts straight from merch. The band was giving all merch proceeds for the night over to Colorado flood relief, so by the looks of things they will be making a large donation. Above the stage were three men in lighting rig seats, hanging from the sky, and LED screens were all over the place. As the music began, a large pyramid of LED screens came down from the sky.

Muse photo by leslie loudspeaker

These guys are LOUD. I went in thinking they were a bombastic, less aggravating Radiohead type with more theatrics, but they are far more than that. Frontman Matt Bellamy is an obvious audiophile, constantly going back to his shiny metallic rotating amp and checking the sound. Live that theatrical sound is really huge and epic, and with the lights, political themes, and the crowd in unison punching their fists in their air, I almost caught a Pink Floyd vibe from the whole thing. The band and audience were on from the first note, and when they dropped into “Madness” you could feel the excitement bump up a notch. You could also see the lights bump up a notch, as suddenly tons of lasers were added to the already wild mix.

muse2 photo by leslie loudspeaker

They played hit after hit, and the audience really had some precision handclapping down. Ending with a three song encore and pyrotechnic flumes that definitely gave me a Pink Floyd vibe now, these guys ended at 9:58 with a slightly stunned and very happy crowd standing open mouthed. Gotta give it to Bellamy, he really knows how to be a rock star without you wanting to smack his face. He changes guitars as fast as I’ve ever seen, and looked especially cool with one slung across his back as he played his see-through light-up baby grand piano. Some people have the life.

Cage the Elephant

Cage the Elephant

Opener Cage the Elephant played extremely well to a half empty giant stadium. The last time I saw them was opening for Stone Temple Pilots at Red Rocks, and it was empty there as well. They kill it with what they have though, and you can’t keep your eyes off lead singer Matt Schultz. At times invoking Mick Jagger and somehow making it totally work, he slinks and spasms all over the stage, eventually coming down into the crowd, managing to stand up on their hands, and then do a headstand. I’ve never seen crowd-surfing like it. The crowd got amped when they played their hit “Ain’t No Rest For the Wicked” and held the energy through to Muse, and their new material sounded great. All in all, a pretty bumping Tuesday.

The Ruse is opening for Muse in Mexico

The Ruse

Fantastic Los Angeles indie pop band The Ruse just announced that they will be opening for Muse on their Mexico dates. HUGE for these guys, they are going to kill it out there on this rhyme-y tour. Check out the announcement over at Muse’s website:

Muse announcement about The Ruse opening for them on tour

Final Review for the Westword of Phish at Dick’s is live

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And that’s a wrap, folks! My review of the final night of Phish at Dick’s is now live, and I never thought my first big published piece would be reviewing Dick’s for the freaking amazingly awesome Westword! What a blast. Section 119 you rule:

my review of Phish Night Three for the Westword