I Am He As You Are He As You Are Me

Phish Halloween Vegas 2021

It was one of those warm, sunny, fall Colorado Sundays when my mom called and told me “Michael has been in a bicycle accident. We are at Good Samaritan. I have to go.” Instantly my mind went to the e-bike that he had purchased recently, as we talked about how dangerous it could possibly be. When I talked to my mom again, she told me that he crashed in the neighborhood riding back from the gym. Nothing dangerous at all! Michael was a lifelong cyclist, but just a few weeks earlier we had noticed scrapes on his face from falling on the bike. He said he had slipped on a puddle, and we were all grateful that he always wore a helmet.

“Right now he has no feeling in his left arm,” I heard her say. Unfortunately, I was stressed and heard wrong. It was the opposite. He ONLY had feeling in his left arm. This quickly spiraled into a very serious situation that finally left him needing a ventilator to breathe. The chaplain made it clear to us that it was ok to let him go, but more importantly, Michael wanted to go. On September 23rd in the early morning with my mom by his side and many of us staring at the sky praying for a quick release, he passed on. At home we played “Fearless” by Pink Floyd, a song and band we had listened to so many times with him when hanging out.

Suddenly the October we had looked so forward to that was filled with Phish Fall Tour shows didn’t sound so thrilling, but with the insistence of my mom telling me that it would be good for me and my husband, we followed through with our plans to see the band in Sacramento, Phoenix, and Chula Vista.

The shows did in fact do me a world of good, and armed with those good vibes under my belt, we traveled on to the Thunderdome – the MGM Grand Arena in Las Vegas for the Halloween run. As soon as we hit the ground the place was abuzz with chirping Phish phans, and suddenly I felt trapped. Gone were the easy, lazy desert pavilions and ocean breezes. There were people walking in every direction, the longest lines I have ever seen no matter where you went and when you tried to go, and as I started to lose my breath in the halls of the MGM that first night I realized I was about to have a panic attack.

We quickly went back up to our room at the Signature where I went out onto the balcony and cried and cried. I was so raw, and my sensory issues were at full volume. As I was crying and wondering if I was even going to be able to go to the show, an image of Michael’s face popped into my head and he said “I want you to have a good time.” A huge weight lifted, and suddenly I felt calm and at peace. Back downstairs at the arena, the lines had cleared out and we went into the show and had a great time.

Two nights later during the animals show, “I Am the Walrus” started and my heart felt like a lump in my throat. When my stepdad was dating my mom, he bought me the entire Beatles catalog, winning my friendship and cultivating my lifelong love of rock and roll. I could feel Michael right there with me as the song played, and just as the image of his face popped into my head, Trey said “Hello, how are you? We hope you have a good time” from the stage.

It was one of those moments where I felt like the entire history of my universe went into fast-forward and everything collectively met right at this exact moment – it was maybe the most naturally psychedelic moment of my life. It felt like a message straight from my stepdad himself, and now every time I listen to that song it is like hanging out with Michael.

Strawberry Letter 23

“Hello, how are you” starting around 3:18: https://www.youtube.com/watch?v=DvB8jsyGCQg&ab_channel=GregoryMarcus

Stocks rocks Denver at Tap Fourteen

Grunge inspired rock band Stocks plays Tap Fourteen in Denver Colorado

I knew Ryan Brashier‘s new band Stocks was going to be good, but I didn’t know they’d be THIS good. Thanks to Phantasy Tour bringing a lot of us Denver Phish phan degenerates together, over the years I’ve become good friends with Ryan and his wife Erin, from living just a block away from each other to taking down our tents in the rain when Curveball was canceled.

Beyond friendship, he is also my go-to guy for everything guitar. This guy knows his pedals and rigs! So Wednesday night at downtown Lodo bar Tap Fourteen – Rooftop Beer Garden, it came as no surprise to see lots of pedals on the stage. Joined by Matthew Norcross on guitar, Chuck Obmaces on keys, David Simutis on bass and Matt Fisher on drums, Stocks has a big sound that draws heavily on 90’s grunge influences.

Always remember where you came from

So many jam bands that are out there come from funk and bluegrass backgrounds, so to get to hear raging guitar jams through a grunge lens is fresh and sure to tickle the fancy of any 90s kid. Just in case you didn’t get the memo, a searing cover of The Smashing Pumpkins “Cherub Rock” drives it home with Ryan’s vocals sounding eerily just like Billy Corgan.

Ryan Brashier glows

With Phish listeners on deck, segues and mash-ups are sure to happen, and my personal highlight from the night was a charging rendition of ALO‘s “Dead Still Dance” with a surprise cameo from The Beatles “Tomorrow Never Knows” in the middle. At this point, my camera had to get put down and joining the other dancers was a must. Take a listen to the audio here on Ryan’s Soundcloud page: https://soundcloud.com/playthestocks/dead-still-dancetomorrow-never-knowsdead-still-dance-stocks-7282021-tap-xiv-denver-co

Matthew Norcross sending psychedelic messages to the cosmos

Make sure to follow Stocks (they only go up!) on their Instagram page for news about upcoming shows: https://www.instagram.com/playthestocks/?utm_medium=copy_link&fbclid=IwAR0ZugZwH25NkjsXWena2xCAuArMs124aBFD3qe9hif7X0RLIzTnd3mAoEg

The Dylan Miles Experience steals the show at the Highlands Street Fair

When The Dylan Miles Experience took the stage on Saturday at the Highlands Street Fair, around twenty people stopped, curious to see what this thirteen-year-old was like on the guitar. By the time he played Pink Floyd‘s “Have A Cigar,” that number had grown to well over a hundred. Kicking off the set with Phish‘s “Free,” Dylan showed a maturity in song selection and musical knowledge that you don’t usually see in a young teen. A guitar prodigy from the Denver School of the Arts, Dylan is no stranger to the stage- by the time he was three his musical talents were already shining through, and he has sat in with national touring acts like North Mississippi Allstars. On Saturday, Dylan played in his trio with Niek Velvis on bass and Alana Dym on drums.

Dylan Miles Experience

The Dylan Miles Experience draws a big crowd at the Highlands Street Fair

Saturday’s set saw a primed Dylan Miles playing both classic songs like Talking Heads “Psycho Killer,” as well as a rocking original titled “Reality” that segued into the Grateful Dead‘s “Deep Elem Blues” then back into “Reality.” With a heavy rock sound, he showed that his writing prowess was just as strong as any cover that he performed. Sporting a hat representing local Mile High kosher bagel experts Rosenberg’s Bagels, Dylan showed his love for the local scene, and the scene responded back in kind.

Guitar prodigy Dylan Miles rocks the Highlands Street Fair

Guitar prodigy Dylan Miles rocks the Highlands Street Fair

Local celebrity and famed artist Scramble Campbell was on deck, painting the band while they played. With his signature bopping dance and swirling, psychedelic style- Scramble’s presence is a true sign and official stamp that “you’ve made it.”

Scramble Campbell paints The Dylan Miles Experience

Scramble Campbell paints The Dylan Miles Experience

The highlight of the show was at the end when the band closed out with a rousing “Ohio” by Crosby, Stills and Nash that then segued into Rage Against the Machine‘s protest song “Killing In The Name.” As a major Phish fan, Dylan knows the ins and outs of a good segue, and took the audience completely by surprise when he turned on a dime and segued back into “Ohio.” The cheers from the crowd could be heard throughout the annual neighborhood street festival and the people got DOWN.

The Dylan Miles Experience rocks the Highlands Street Fair in Denver

The Dylan Miles Experience rocks the Highlands Street Fair

It felt like the entire festival was at the music stage, and the crowd screamed “ONE MORE! ONE MORE!” at the end of the set, completely charmed by The Dylan Miles Experience. Go see the band on August 24th at the Arvada Center Arts & Ales Festival as they play a two-hour set!

Dylan Miles and his guitar pedals at the Highlands Street Fair

Dylan Miles and his guitar pedals at the Highlands Street Fair

Children can't take their eyes off The Dylan Miles Experience at the Highlands Street Fair

Children can’t take their eyes off The Dylan Miles Experience at the Highlands Street Fair

The Dylan Miles Experience steals the show at the Highlands Street Fair

The Dylan Miles Experience steals the show at the Highlands Street Fair

Dylan Miles plays lead guitar for The Dylan Miles Experience in Denver

Dylan Miles plays lead guitar for The Dylan Miles Experience

The Dylan Miles Experience dominates the stage at the Highlands Street Fair

The Dylan Miles Experience dominates the stage at the Highlands Street Fair

Scramble Campbell painting of The Dylan Miles Experience

Scramble Campbell painting of The Dylan Miles Experience

Setlist:

Phish – Free

Dire Straights – Sultans Of Swing

Dylan Miles – Reality > Grateful Dead – Deep Elem Blues > Reality

Talking Heads – Psycho Killer

The Dixie Cups – Iko Iko

Niek Velvis – Zhen Kill-ya Blues

Bob Marley – Soul Shakedown Party

Pink Floyd – Have a Cigar

Phish – Sand

Crosby, Stills & Nash – Ohio > Rage Against The Machine Killing In The Name > Ohio

 

Getting thrown a Curveball – When a Phish Festival Cancels While You Are Already There

Before we even got to New York there were signs that things were not right- texts from the airline saying our flight had been delayed and we wouldn’t make our connecting flight. Getting on standby for a different flight only to be told “never mind! Your original plane is on time now!” Having the computers go down at the rental car place and hearing the young worker say “I quit”. Snagging my Phish necklace and breaking the chain off my neck. Mercury being in retrograde…

Once inside the Curveball campgrounds things started looking up. Easy security, great campsite that was almost under these two trees (if we had been just one car later in line!) and hot sunny weather that laughed in the face of that week’s torrential downpours and flooding.  After putting the tents up we grabbed our schmancy new Phish Nalgene bottles from Glen Close concierge and excitedly went off looking for water to fill them with as we walked on to soundcheck.

This is where things got fishy. They had some blue spigots you could get water from but we continued on to the gates expecting to get some from the filling stations inside. 3:00pm gates closed and gate staff boredly says “come back in an hour”. 4:00pm gates closed but now we are told “The Bunny will tell you”. There were ominous words in retrospect. Walking back one of the big speakers was being lowered down from the stage, and suddenly it made sense as to why they hadn’t started soundcheck yet- there’s a sound issue!

Back to the campsites to settle in and listen to The Bunny for instructions, I decided it was a good time to jump in that nice ice cold shower. It wasn’t. Just as I am finishing my shower I hear the first scream; didn’t even bat an eye until the second guy screamed. As I rushed into my clothes and out of the shower a woman that worked there gave me a sweet smile and taped a sign up “DO NOT DRINK. NO POTABLE WATER”.

Outside the campground was still. People just standing there in shock, hand over mouth, faces concerned. Did a band member die?? Back at my tent I grabbed my phone and saw a ton of texts, the first from my husband asking me “Why does Phish.com say Curveball is canceled?” Now I’m standing in shock, hand over mouth, eyes welling up and then I heard The Bunny.

“We are so terribly sorry…” rang out as people gathered to radios like moths to a flame. Instantly shock and yet acceptance hit. We all had been watching the local weather all week, and the video of the overflowing waterfall was really concerning. We expected potentially rough times. We expected mud. Never cancellation, yet here we were watching the stage and Ferris wheel coming down.

Fortunately the campground made proverbial lemonade, commiserating, contemplating, what nexting and dancing in a ditch in the shadow of a bunch of horse cops. No we didn’t get to hear primordial ooze come out of that big silver ball or see if they were going to play Talking Heads’ “The Great Curve”, but the people there received a valuable life lesson refresher that being together  with respect and kindness is a majority of that collective love high you get from a Phish show. :::enter obligatory “So keep what’s important and know who’s your friend” lyric:::

Village Voice published my Phish Hand Signals piece

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While I was away, the Village Voice published my Guide to Phish’s Hand Signals piece. It’s just a little entertainment piece, not meant to actually be considering some official guide. Most are from the Red Rocks show filled with one-offs because I didn’t want to give too many of their secrets away (plus, it’s hard to find video of the signals, most Youtubes start when the music starts). Obviously, they don’t use signals all the time, but it’s a fun treat to catch one. Read the humor piece at the Village Voice here:

http://blogs.villagevoice.com/music/2014/03/a_guide_to_phish_hand_signals.php

UPDATE: over 100,000 views on this article! Thanks to my wonderful, goofy readers!

My interview with Mike Gordon

Overstep

If someone had told me last summer when I was chasing Phish around the country that in six months I’d be interviewing Mike Gordon himself, I never would have believed them. Yet, there I was this past Monday morning singing a guitar part of “Yarmouth Road” to Cactus himself, and in return he sang me some Los Lonely Boys “Heaven”. Read my interview here, it was the fastest twenty minutes of my life:

http://blogs.westword.com/backbeat/2014/02/interview_phish_mike_gordon.php

His new album Overstep came out today, check it out, it’s a ton of fun and has really great production values. Listen to the new “Yarmouth Road” below:

Westword article I wrote about the stigma of jam bands

jamband

After writing a band an apology for calling them a jam band in a recent article, (they said they didn’t care what I called them as long as people were listening phew!), I started to get annoyed that the term “jam band” had become such an offensive insult. I wrote an opinion piece for the Westword which quickly accumulated comments from jam band haters saying we stink, and because jam bands suck. There were also some fantastic, valid arguments, some prefer the song craftsmanship of singer/songwriters over extended jams, others don’t like the fusion of genres. But the majority had the knee jerk reaction I spoke of in the intro. Here’s a link to the Westword article, the comments are pretty funny:

http://blogs.westword.com/backbeat/2014/01/jam-band_stigma.php

If you go to the Westword’s main page, they put it front and center next to an article about where to buy weed in Denver: http://www.westword.com/

The Minneapolis City Pages music blog Gimme Noise liked it so much they published it as well. There too, jam bands are hated on:

http://blogs.citypages.com/gimmenoise/2014/01/why_do_jam_bands_have_such_a_stigma.php

The vitriol, it’s so amusing.

Couldn’t have asked for more at Phish NYE

PhishNYE

I was supposed to review String Cheese Incident in Denver for New Year’s Eve, but as is typical in the world of Phish, they started playing too well so we last second booked the last two seats flying out of Denver that morning. We stayed with wonderful friends in Williamsburg who had a view of the Empire Building from their fire escape, and even managed to get tickets for face value (one a shiny glittery lotto ticket!). It was fairly amusing that coming to NYE last second took way less planning and stress than if I had decided to go months ago, but isn’t that always the case? The city streets were absolutely electric with excitement, topped only by what Phish was about to pull off inside. My best moments of the NYE run article was published today at the Westword, read all my gushings here. It’s days later and I still spring little tears of joy and gratitude thinking about that Forbin’s.

Read here: http://blogs.westword.com/backbeat/2014/01/best_moments_phish_madison_square_garden_new_years_eve_2013.php

I could sit here for a lifetime:

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Atlantic City Boardwalk Photos and my Westword review of Fall Tour

photo by leslie loudspeaker

photo by leslie loudspeaker

I was supposed to write an article for the Westword about the ten best songs of Fall Tour, but they played so well I could have gone to twenty. Here is a link to the article, including photos I took wandering the Boardwalk early mornings while everyone else slept. I was really excited to go to Steel Pier, as that is where W.C. Fields got his start and I love all things circus and carnival and W. C. Fields. When I went it was completely isolated, and very cool for getting pictures. It was also a little dangerous with the rides all unlocked, and I quickly found out that was because it was NOT open and I was trespassing. I was told “if we don’t stop unlatching the gate, they are going to start ticketing!” Silly wooks.

Westword article: http://blogs.westword.com/backbeat/2013/11/the-twelve_best_moments_from_phish_fall_tour.php

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Cass McCombs double album brings a lot to the table, including Mike Gordon

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When you see over twenty tracks listed, you think either someone has a lot to say, or they need an editor. Cass McCombs is the former, his sound is so pleasing and easy going he could have recorded a box set and it would have all been listenable. With Mike Gordon of Phish playing bass here and there, the thumping backbone of the rhythm section lets his vocals echo and wisp above it all while remaining strong and direct. “Big Wheel” trucks along strong, a beat similar to “When the Levee Breaks” chugging on as Cass purrs seductively with the slightest sneer. The slide is used to maximum beautiful effect in “Angel Blood”, amazing AM pop hooks that remind me of early Beatles through it and the remainder of the album. Some tracks are more segments of songs, as McCombs seems to be sharing any idea he had at the time, fully formed or not. “Brighter!” appears twice, a melancholy song that sounds like it would have fit in on the Twin Peaks soundtrack, and then having cult actress Karen Black take over the vocals the second time around, giving the song and even eerier turn as her final performance before succumbing to cancer.

“There Can Be Only One” has a very Velvet Underground feel to it with the flat story telling vocal delivery, bouncy bass from Mike Gordon (Go Cactus!) and shimmying drums from Furthur’s Joe Russo sprinkling all over the album. “Name Written on Water” is as close to an homage to Bob Dylan as you can get, the repeating Watchtower sounding rhythm growing stronger and stronger as his snarky delivery questions life. The production on this album is great, warm with a vintage feel that just sounds so damn pleasant. This is one of the better and more prolific songwriters out there right now, and with his galley of talented collaborative friends, there’s no telling the body of work he will create in his lifetime.

“There Can Be Only One” with Mike Gordon: