New songs to listen to this week

Blitzen Trapper- photo by Leslie Simon

Blitzen Trapper- photo by Leslie Simon

New music to listen to this week- the sun is shining, spring has arrived, and I’m really feeling sunny, dreamy songs with the occasional dance beat to get down to. Here are some of my favorite songs that have been released recently that you should check out:

King of Prussia “Your Work is Magic”- uptempo indie tambourine pop out of Athens, Georgia with unexpected and fantastic horns that remind me of a less political King Khan. Available for stream or download here at Stereogum:

Yann Tiersen “A Midsummer Evening”- Toy instruments mix with acoustic to create a warped, gorgeous song complete with angelic backing vocals. Psychedelic church.

Medeski, Martin and Wood + Nels Cline “Bonjour Bese”- mixing wild spacey reverb noise with the heavy hitting sounds of MMW is a dream come true. If you don’t like dissonant noise fast forward three minutes (but really you should embrace the noise, it’s beautiful). Exclusively at Esquire here:

Alpha Consumer “Ms Positron”- taking cues from 80’s art rock and adding mega fuzzy guitar riffs and catchy hooks, this Minneapolis group has collaborated with everyone from Andrew Bird to Brother Ali and are releasing their new album April 15th.

Thee Oh Sees “The Lens”- yet another awesome track from the upcoming release. Monty Python-esque psychedelic videos that are done well are always a treat.

Allah-Las “Had It All”- california psych pop with a delicate touch and throwback as hell

Chain and the Gang “Devitalize”- some of my favorite garage rock that doesn’t take itself so seriously. Plus, I’m a sucker for really bratty vocals.

Horse Thief “Little Dust”- psych tinged roots rock from Oklahoma City with theatrical fascinating Cameron Neal’s quirky pretty vocals taking the lead.

Driving Mrs. Satan “Hells Bells”- when I got an email about this band and saw “acoustic heavy metal” I put it on thinking I would get a laugh. Instead, I found they have beautiful arrangements, gorgeous vocals, and I like it better than the original.

Don’t miss Robert Walter’s 20th Congress Tonight at Cervantes!


Robert Walter’s 20th Congress is blowing their way through Colorado with a stop in Denver tonight at Cervantes. This Greyboy Allstars player is so talented, heavy funk just doppling out of the Leslie as it whirls around faster and faster. They are playing The Otherside, so get there a little early, it will probably sell out.

The Great Gatsby Review


Baz Lurhmann’s latest movie, an adaptation of The Great Gatsby got a ton of flak before it was even released, mainly due to the Jay-Z produced soundtrack. Now personally, I think Hova is the MAN, so I’ve been loving the soundtrack for awhile, and yesterday I finally got to see how it all fit in the big picture of the movie. Personally, I think people are up in arms over not much. You’d think Hova was playing Nick Carraway and narrating, rather than the snippets of music heard in parties, and one two second scene of some Harlem jazz cats being driven by a white chauffeur. I thought it absolutely worked.

“The hip-hop soundtrack, too, stemmed from Luhrmann’s understanding of Fitzgerald as an unflinching modernist. “He took African-American street music, jazz, and he put it front and center in the novel,” Luhrmann said. “He did that because he wanted the book to feel immediate and dangerous.” But the jazz of the 1920s has long since matured into something “classical and quaint,” so Luhrmann turned to a newer form: hip hop.”- HuffPo

The only time the music took me out of the movie was when “Crazy In Love” came on, and that’s only because I’m sick of Beyonce, so it has no sway on my opinion since I’m biased there. This soundtrack flowed much better than that “Roxanne” tango in Moulin Rouge, at least Daisy didnt start singing the Lana Del Ray song! I’ve noticed now that most of the people complaining about the music haven’t seen the movie, and that’s a scary, quick judging way to live. Don’t miss this movie because you don’t think hip hop should be played, you are missing what I believe is Leo DiCaprio’s best performance in years (he’s always good, but Gatsby is just THE role for him). Most if it is just hip hop beats with sultry vocals, and there is only really one rap in it, Jay-Z in “$100 Bill”. You are doing yourself a disservice if you skip this because of that ten seconds.

Besides, the theater was mainly younger people, they would not be coming in droves to see this movie were it not for the soundtrack (Leo is a little too old and jowly for teen crushes). I will never complain about more people potentially reading a book. Can’t wait for that Death Metal Anna Karenina adaptation!!

soundtrack sampler

whole soundtrack